Hierophant Knowledge: Love, Life, Sex and Domination. Anais Nin. Quotes
I do not want to be the leader. I refuse to be the leader. I want to live darkly and richly in my femaleness. I want a man lying over me, always over me. His will, his pleasure, his desire, his life, his work, his sexuality the touchstone, the command, my pivot. I am going to be pursued, fucked, possessed by the will of a male at his time, his bidding.
Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.
I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.
And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.
There are only two kinds of freedom in the world; the freedom of the rich and powerful, and the freedom of the artist and the monk who renounces possessions.
We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.
Life shrinks or expands in proportion to one's courage.
If what Proust says is true, that happiness is the absence of fever, then I will never know happiness. For I am possessed by a fever for knowledge, experience, and creation.
Our life is composed greatly from dreams, from the unconscious, and they must be brought into connection with action. They must be woven together.
Throw your dreams into space like a kite, and you do not know what it will bring back; a new life, a new friend, a new love, a new country.
Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born.
I do not want to be the leader. I refuse to be the leader. I want to live darkly and richly in my femaleness. I want a man lying over me, always over me. His will, his pleasure, his desire, his life, his work, his sexuality the touchstone, the command, my pivot. I don’t mind working, holding my ground intellectually, artistically; but as a woman, oh, God, as a woman I want to be dominated.
Anais Nin
Anais Nin and Henry Miller
Anais (Artwork)
Anais Nin ll
Anais Nin Biography
Anaïs Nin (Spanish pronunciation: [anaˈiz ˈnin]; born Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell, February 21, 1903 – January 14, 1977) was a French-Cuban author, based at first in France and later in the United States, who became famous for her published journals, which span more than 60 years, beginning when she was 11 years old and ending shortly before her death. Nin is also famous for her erotic literature and short stories. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously.
Anaïs Nin was born in Neuilly, France, to two artistic parents. Her father, Joaquín Nin, was a pianist and composer in Cuba, and her mother Rosa Culmell was a classically trained singer in Cuba of French and Danish descent. Her father's grand-father had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first rail-way.
Nin was raised a Roman Catholic and spent her childhood and early life in Spain. After her parents separated, her mother moved Anaïs and her two brothers, Thorvald Nin and Joaquin Nin-Culmell, from Barcelona to New York City. According to her diaries, Volume One, 1931–1934, Nin abandoned formal schooling at the age of sixteen years and later began working as a dancer and model.
After being in America for several years, Nin had forgotten how to speak Spanish, but retained her French and became fluent in English.
On March 3, 1923, in Havana, Cuba, Nin married her first husband, Hugh Parker Guiler (1898–1985), a banker and artist, later known as "Ian Hugo" when he became a maker of experimental films in the late 1940s. The couple moved to Paris the following year, where Guiler pursued his banking career and Nin began to pursue her interest in writing; in her diaries she also mentions having trained as a flamenco dancer in Paris in the mid-to-late 1920s.
Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days. She also explored the field of psychotherapy, studying under the likes of Otto Rank, a disciple of Sigmund Freud. Nin was briefly a patient of Carl Jung.
Nin left Paris in the late summer of 1939, when residents from overseas were urged to leave France due to the upcoming war and returned to New York City with Guiler (who was, on his own wish, all but edited out of her diaries published in her lifetime and whose role in her life is therefore difficult to gauge).
During the war, Nin sent her books to Frances Steloff of the Gotham Book Mart in New York for safekeeping.
Personal life
According to her diaries,Vol.1, 1931–1934, Nin shared a bohemian lifestyle with Henry Miller during her time in Paris. Her husband Guiler is not mentioned anywhere in the published edition of the 1930s parts of her diary (Vol.1–2) although the opening of Vol.1 makes it clear that she is married, and the introduction suggests her husband refused to be included in the published diaries.
Nin appeared in the Kenneth Anger film Inauguration of the Pleasure Dome (1954) as Astarte; in the Maya Deren film Ritual in Transfigured Time (1946); and in Bells of Atlantis (1952), a film directed by Guiler under the name "Ian Hugo" with a soundtrack of electronic music by Louis and Bebe Barron. The diaries edited by her second husband, after her death, tell that her union with Henry Miller was very passionate and physical, and that she believed that it was his fetus that she aborted.
In 1947, at the age of 44, she met former actor Rupert Pole in a Manhattan elevator on her way to a party. The two ended up dating and moved in together; Pole was sixteen years her junior. On March 17, 1955, she married him at Quartzsite, Arizona, returning with Pole to live in California.
Guiler remained in New York City and was unaware of Nin's second marriage until after her death in 1977, though biographer Deirdre Bair alleges that Guiler knew what was happening while Nin was in California, but consciously "chose not to know".
Nin referred to her simultaneous marriages as her "bicoastal trapeze". According to Deidre Bair:
“ [Anaïs] would set up these elaborate facades in Los Angeles and in New York, but it became so complicated that she had to create something she called the lie box. She had this absolutely enormous purse and in the purse she had two sets of checkbooks. One said Anaïs Guiler for New York and another said Anaïs Pole for Los Angeles. She had prescription bottles from California doctors and New York doctors with the two different names. And she had a collection of file cards. And she said, "I tell so many lies I have to write them down and keep them in the lie box so I can keep them straight.""
In 1966, Nin had her marriage with Pole annulled, due to the legal issues arising from both Guiler and Pole having to claim her as a dependent on their federal tax returns. Though the marriage was annulled, Nin and Pole continued to live together as if they were married, up until her death in 1977.
After Guiler's death in 1985, the unexpurgated versions of her journals were commissioned by Pole. Pole died in July 2006.
Nin often cited authors Djuna Barnes and D. H. Lawrence as inspirations. She states in Volume One of her diaries that she drew inspiration from Marcel Proust, André Gide, Jean Cocteau, Paul Valéry, and Arthur Rimbaud.
Nin once worked at Lawrence R. Maxwell Books located at 45 Christopher Street.
Literary career
Journals
Anaïs Nin is perhaps best remembered as a diarist. Her journals, which span several decades, provide a deeply explorative insight into her personal life and relationships. Nin was acquainted, often quite intimately, with a number of prominent authors, artists, psychoanalysts, and other figures, and wrote of them often, especially Otto Rank.
Moreover, as a female author describing a primarily masculine constellation of celebrities, Nin's journals have acquired importance as a counterbalancing perspective.
Previously unpublished works are coming to light in A Café in Space, the Anais Nin Literary Journal, which most recently includes "Anais Nin and Joaquín Nin y Castellanos: Prelude to a Symphony—Letters between a father and daughter."
Erotic writings
Nin is hailed by many critics as one of the finest writers of female erotica. She was one of the first women to explore fully the realm of erotic writing, and certainly the first prominent woman in modern Europe to write erotica. Before her, erotica written by women was rare, with a few notable exceptions, such as the work of Kate Chopin.
According to Volume I of her diaries, 1931–1934, published in 1966 (Stuhlmann), Nin first came across erotica when she returned to Paris with her mother and two brothers in her late teens. They rented the apartment of an American man who was away for the summer, and Nin came across a number of French paperbacks: "One by one, I read these books, which were completely new to me. I had never read erotic literature in America… They overwhelmed me. I was innocent before I read them, but by the time I had read them all, there was nothing I did not know about sexual exploits… I had my degree in erotic lore."
Faced with a desperate need for money, Nin, Miller and some of their friends began in the 1940s to write erotic and pornographic narratives for an anonymous "collector" for a dollar a page, somewhat as a joke. (It is not clear whether Miller actually wrote these stories or merely allowed his name to be used.) Nin considered the characters in her erotica to be extreme caricatures and never intended the work to be published, but changed her mind in the early 1970s and allowed them to be published as Delta of Venus and Little Birds.
Nin was a friend, and in some cases lover, of many leading literary figures, including Henry Miller, Antonin Artaud, Edmund Wilson, Gore Vidal, James Agee, James Leo Herlihy, and Lawrence Durrell. Her passionate love affair and friendship with Miller strongly influenced her both as a woman and an author. The rumor that Nin was bisexual was given added circulation by the Philip Kaufman film Henry & June. This rumor is dashed by at least two encounters Nin writes about in her third unexpurgated journal, Fire.
The first is with a patient of Nin's (Nin was working as a psychoanalyst in New York at the time), Thurema Sokol, with whom nothing physical occurs. She also describes a ménage à trois in a hotel, and while Nin is attracted to the other woman, she does not respond completely (229–31). Nin confirms that she is not bisexual in her unpublished 1940 diary when she states that although she could be attracted erotically to some women, the sexual act itself made her uncomfortable. What is irrefutable is her sexual attraction to men.
Nin's first unexpurgated journal, Henry and June, makes it clear, despite the notion to the contrary, that she did not have sexual relations with Miller's wife, June. While Nin was stirred by June to the point where she says (paraphrasing), "I have become June," she did not consummate her erotic feelings for her. Still, to both Anais and Henry, June was a femme fatale—irresistible, cunning, erotic. Nin gave June money, jewelry, clothes, oftentimes leaving herself broke. In her second unexpurgated journal, Incest, she wrote that she had an incestuous relationship with her father, which was graphically described (207–15). When Nin's father learned of the title of her first book of fiction, House of Incest, he feared that the true nature of their relationship would be revealed, when, in fact, it was heavily veiled in Nin's text.
Later life and legacy
The explosion of the feminist movement in the 1960s gave feminist perspectives on Nin's writings of the past twenty years, which made Nin a popular lecturer at various universities; contrarily, Nin disassociated herself from the political activism of the movement.
In 1973 Anaïs Nin received an honorary doctorate from the Philadelphia College of Art. She was elected to the United States National Institute of Arts and Letters in 1974. She died in Los Angeles, California on January 14, 1977 after a three year battle with cancer.
Her body was cremated, and her ashes were scattered over Santa Monica Bay in Mermaid Cove. Her first husband, Hugh Guiler, died in 1985, and his ashes were scattered in the cove as well. Rupert Pole was named Nin's literary executor, and he arranged to have new unexpurgated editions of Nin's books and diaries published between 1985 and his death in 2006.
Philip Kaufman directed the 1990 film Henry & June based on Nin's novel Henry and June: From the Unexpurgated Diary of Anaïs Nin. She was portrayed in the film by Maria de Medeiros.
List of works
D. H. Lawrence: An Unprofessional Study (1932)
House of Incest (1936)
Winter of Artifice (1938)
Under a Glass Bell (1944)
Delta of Venus (1977)
Little Birds (1979)
Cities of the Interior (1959), in five volumes:
Ladders to Fire
Children of the Albatross
The Four-Chambered Heart
A Spy in the House of Love
Seduction of the Minotaur
Collages (1964)
The Early Diary of Anaïs Nin (1931-1947), in four volumes
The Diary of Anaïs Nin
The Novel of the Future (1968)
In Favor of the Sensitive Man (1976)
A Literate Passion: Letters of Anaïs Nin & Henry Miller (1987)
Henry and June: From a Journal of Love (1986)
Incest: From a Journal of Love (1992)
Fire: From A Journal of Love (1995)
Nearer the Moon: From A Journal of Love
White Stains apparently by Anaïs Nin and others (perhaps others who wrote for the same collector)
Aphrodisiac: Erotic Drawings by John Boyce for Selected Passages from the Works of Anaïs Nin
And God Created Woman ll Pt lll (ll). A Self Portrait
AMERA ZIGANII RAO
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Amera Ziganii Rao © 2013
Neo Feminist™, Post Tribe Social Reformer™ and Sacred Sexualist™. Human Rights Healer. Metaphysical Philosopher, Writer, Spiritual Intelligence Teacher, Hierophant (Interpreter of The Universe) and Mentalist Self Actualiser.
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Re Writing The Human Race
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Amera Ziganii Rao © 2013
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Amera Ziganii Rao © 2012
I am THE High Priestess Monarch of the ancient past and I forgive you for becoming enslaved and taken over by the machines of the alien reptile force that invaded and took over Earth 8000 years ago. They taught you to hate me and my kind and you believed them. They told you I and my kind were dictators and that you were slaves, when all we had done was love you, honour you as companions and above all, we had let you just live.
We were the holy communers, the ones who gave birth to human beings, the leaders of society, the creators of society, the vehicles of Divinity on Earth and the channels of wisdom. The ones who looked after everything and the ones who built everything and ran everything, because we could. And because we loved it. We are and were the force of creation. And you loved us and you lived.
But they told you that you ‘deserved’ power too and that we were the ones standing in your way. And you believed them. The oldest ‘divide and rule’ strategy of hate in history and it worked. They used it and you bought it, hook, line and sinker. You had to give up sex, love, magic and your own spiritual gifts and you burnt, destroyed and violated me for 8000 years.
The world calls that male supremacy. And indeed, family supremacy, Matriarchal supremacy and supremacy of the material world and all who believe in it. Men and women like you. When all that you are are slaves to a reptile force to generate hate energy for them to live and thrive and vampire the human race. The puppets of a hate force, that chose to destroy women and men like me, for hate to grow, so they could live. You bought it and it worked. The greatest fraud in the history of the world.
I am THE High Priestess Monarch of the ancient past and I forgive you for becoming enslaved and taken over by the machines of the alien reptile force that invaded and took over Earth 8000 years ago. They taught you to hate me and my kind and you believed them. They taught you that my mind was evil. My mind, my sex, my body and my ways of life.
The humanity, the glory of sexuality and the glory of creation and creativity and the glory of Divinity in each and every one of us. Our souls. They taught you that human beings are separate from Divinity, that sex was wrong and that women who have minds of their own are uppity slaves. They vilified us but much much worse than that, they destroyed your relationship with all that is unseen, all that we honour and love.
They taught you to hate what is really God. By teaching you to hate us, you hated all that is good in yourselves. They taught you to hate the light. They taught you to kill us. The daughters of The Universe. The High Priestesses of God. The Spiritual Mothers. The Sacred Whore High Priestess Avatars of The Universe™. The Sacred Army of Love on Earth.
The Shamans, the Mystics and the Communers. The Hierophants.
They called me Eve and blamed me for the downfall of the human race and created the awesome profanity that is religion. Of men, by men and from men. Of reptiles, by reptiles and from reptiles. Christianity, Islam and Judaism and every other philosophy around the world was poisoned. There are no female spiritual leaders left. It is all profanity. They chose you to represent them because they wanted to divide us and they did. They told you to hate me. And you believed them. Now I am back and I forgive you.
I forgive you because I can. Because I came here to save your soul. And because I finally know who I am. I am THE High Priestess Monarch of the ancient past. I came here to return your soul to The Source. God, The Mother, The Universe. To return you to what is really God. Because I love you. And because She loves you and your kind, whatever you have done.
Whatever you have done to me and whatever you have done to Her. And most of all, whatever you have done to yourself. We forgive you. This is your redemption. Your freedom and your ascension. We are here to save your soul.
Amera Ziganii Rao © 2012
You bought the Sacred Whore like a piece of meat and you called that a wife. Your trophy wives. Your dancing girls. Your chattel and serving girls. Your piece of beauty. You bought us like you would cattle. Then you called it wives. Now you call it prostitution. The High Priestesses of the real God. You bought us to buy God, The Mother, The Universe and you caged us, separated us from our Divine gifts and skills in the Temple and drove us mad and then lost interest in us, because we had no gifts left, no excitement, no hunter in ourselves and no hope or joy left. Then you just called us mad and discarded us. You called us evil and you call love obedience, even though it had already killed us. You moved into our Temples and you played with the divination tools and thought you communed. The destruction of Atlantis was your gift.
You stole us from God, The Mother, The Universe and you tried to usurp us. You vilified us, enslaved us and you still envy us today. You call it intuition. You might want to think about this when you hate us out of your jealousy. The mystic gene means physical tortuous pain and taking on the empathy of the human race. All their pains, evils and dark thoughts. We see and feel everything. We make crucial sacrifices to be near Spirit and the unseen and we go without for years. To be shaman is not glamour. I make it glamour. To be shaman is a specific Samurai existence, ascetic and harsh. We commune to be guides. And you take that and you shame yourselves because you just want the meat. You didn’t just want the meat. You wanted our beauty of spirit, our personalities and our love and kindness. And you destroyed them, because you caged us and called us wife.
Amera Ziganii Rao © 2012
The High Priestess Sacred Whores, the High Priests and the true protectors. Those who do not have the gift like either the High Priests or especially like the highest of all, the High Priestess Sacred Whores but who honour, protect and facilitate them to the world. Who honour the Shaman Sacred Whores of this world most of all, and who know who they are and who they are not. Who know the difference, who do not envy and who protect and love the representatives of Spirit, GOD, THE MOTHER, THE UNIVERSE, on Earth. Who honour their wisdom and who honour the latent Shaman in themselves too and who honour the communing ability of the High Priestess Sacred Whores. The non violators. Our only friends. The New Society exists. It is called Enlightenment. It is called Love. It is The Holy Grail.
Amera Ziganii Rao © 2012
The master race. It's all a lie. You are brought up to be a despot king and it is only your sister who ever tells you that you have become a pratt. The master race is all a lie. There are no kings in an equal world. Your father was misinformed. What he brought you up to be was a killer. Pure and simple. A misogynist. A modern misogynist. A polite killer.
Amera Ziganii Rao © 2011
I enter the magical hours of pure feeling, pure thought, pure imagination and I think and I write and I 'mysticise' the Universe. I escape at will, the truth of my humanless, Samurai solitude, and I pursue the truth of love in myself and in everyone else. I am philosopher. I am shaman. I am alone. I frontier the Soul to be spirit on Earth.
Amera Ziganii Rao © 2011
Amera Ziganii Rao is a former hard news journalist who is now turning professional with her art forms and indeed, her healing forms, after a long journey of inner searching, self teaching and exploring many layers and areas of both craft and wisdom. She is now working on her first book of philosophy and esoteric thought, and social, cultural and spiritual commentary. She is also showing her first photography collections. And last but most definitely not least, she is building a business to share her Sacred Whore High Priestess Society consciousness and empowering explorations to reach as many people as possible across the world. She is in her forties and lives in London.
Amera Ziganii Rao © 2011
In the meantime, please enjoy this website. I have included many of the subjects I am covering, areas of experience and insight that I will be exploring to the fullest in my book, the courses and all the other work that is to come as a dramatist, novelist and essayist. I also of course, include many of the wise people on this planet, who have come long before me; authors, screen dramatists, playwrights, film makers, artists, and other enlighteners and grand carriers of the wisdom I have found the most helpful on my journey, to find peace and become enlightened. The seemingly impossible journey, in the face of oneself and one’s circumstances. People who have contributed massively to my healing on this mad journey called life, in this insane existence called The Universe. People who have helped to make me as good a carrier of wisdom as I in turn, can be. Thank you.
Amera Ziganii Rao © 2011
Copyright and intellectual property rights are serious issues. And legally protected. Please do not reproduce my work anywhere without due credit and obviously, never for financial gain. 'Big Sister' is watching you! Other than that, please continue to enjoy my original work and the work of (credited) others, for free, while I work on using my material in further professional formats. Thank you for your interest and support.
Amera Ziganii Rao © 2012
Thank you to outside source for photographs. Darkroomed by Amera Ziganii Rao